docupopla.blogg.se

Custom Guitar Luthiers
custom guitar luthiers


















New York: HarperCollins Publishers & Callaway Editions, 1992. Preface by Linda Ronstadt. He’s best known for his meticulous setups and guitar care products, which are really, really good, but what you might not know is that he offers a custom build service with Harron Custom Guitars.(FERRINGTON GUITARS). Michael Harron is regarded as of the best blokes in Melbourne, and his handiwork in the fretted department is rivaled by few.

From him I learned to trust my intuition.”First in the World luthier guitar which introduces the following innovations: V generation ‘ACOUSTIC TUBES‘ inside the guitar neck, top with VIII generation ‘WAVE‘ type resonator back & sides made in III generation ‘HIGH-TECH PRESS’ SPECIFICATION Top Western Red Cedar Master Grade Back & Sides Ziricote with sapwood Master Grade Scale 650 mm Neck Asymmetric made of flamed. It was a huge honour to work alongside him. He had studied with John D’Angelico, so I was immersed in a workshop rich in history and tradition.

Peruse my catalog of available luthier crafted handmade classical guitars and see.“I have been told that people like my design sensibilities and, more importantly, the sound and feel of the guitars I make. Using premium materials, amazing finishes and state-of-the-art electronics, our custom shop guitars have all the options you need to configure a truly personalised and unique playing experience.What do you think other guitar makers will learn from you?We proudly provide a huge range of Fender, Fender Custom Shop, Gibson. To create a unique custom shop electric guitar, you will work with our luthiers who will craft an instrument specifically for you. Please consult the order.Custom Shop Guitars.

I had an incredibly willing partner to work with in Pat Metheny. Ultimately, it’s their guitar, so I try to listen and bring their musical dream to life.”How did you work out how to make extraordinary instruments such as the Pikasso you made for Pat Metheny?“Through experimentation and boldly going where no guitar maker had gone before? Luckily, I was a bit naïve about the complexity of what I was undertaking and therefore undaunted. It’s also really important to listen to the person you are building for. Technically, I match the woods as best I can so they work as a team.“For me, the most important aspects are: how the instrument sounds, how it feels to play, and finally how it looks – in that order. Each guitar has a little bit of me in it.

I have enough aged wood to last a lifetime, but I am very concerned about what the future holds for next generations of builders.“I am glad for CITES designations of woods. I read that Michelangelo said he was just chipping away stone to reveal the statue inside, and I sometimes feel I’m doing something similar with the wood.“When I began building guitars there were no endangered wood species. You have to intuit what it can and will become. I know the woods are going to be thinned and then have braces added. I’m looking for sensitivity and responsiveness. (Image credit: Future)What are your main considerations when choosing tonewoods?“I listen to each piece of wood with my eyes closed – tapping it.

Custom Guitar Luthiers Plus Years Old

I cut my own path in a very welcoming field.“I still occasionally have to prove myself when I go into an unknown hardware store and have to convince them I know what I’m talking about. It was exhilarating and tiring. Being the only one meant I was the icebreaker at the front of the ship. And the time to start that would be right now, as the best woods are 100-plus years old.”The superior level of craft on Manzer guitars is found right across the builds this intricate headstock inlay is named ‘The Saboteur.’ (Image credit: Future)What challenges, if any, have you faced as a woman in lutherie?“When I began building guitars there were no women in the field at all to my knowledge. But I think there will have to be controlled forestation of musical-instrument wood.

I fought my way up the ladder and once I was in the tree fort I realised they actually liked having me there.For years I was the only woman working at Larrivée. The big eye-opener was when I was about eight and I wasn’t allowed in the tree fort because my brothers had a ‘no girl’ rule. When I started out there were many bumps in the road and they potentially added up to say: ‘You’re not welcome.’ Luckily, I had two older brothers. That kind of blew my mind in a good way.“The challenges can be subtle, though.

Problems usually have solutions.“There are definitely fewer women than men in this field, but the numbers of women grow each year. Very handy for lifting heavy shit. I discovered a thing called ‘leverage’. Yes, there would be issues in front of me – for instance, I don’t have the strength most men have, but I work smart.

I loved playing guitar, but I was a terrible performer. (Image credit: Future)“I needed a life change and a career direction. We are all stronger if these artificial walls come down.” Kathy Wingert – Wingert GuitarsWhile Kathy Wingert has been building guitars as a trade since 1996, based in Southern California, her history in instrument building goes back to her high-school years. Society should also welcome men doing traditional female jobs. These same fellows, the original six apprentices of Jean-Claude Larrivée and Larrivée himself, are my dearest friends and inspiration.“We are better if everyone can enter the field they excel at or have passion in. But the men I worked with in the mid-70s never made an issue of my gender and, in fact, probably became slightly protective about me, because they saw some of the stuff I was experiencing.

custom guitar luthiers

My necks and setups are very good.”Most of the great guitar makers I know were more driven by music, guitar and art than by exposure to woodworking Kathy Wingert“Women with children usually do most of the care. I’ve been accused of getting cello-like tones. There are a lot of us who stand shoulder to shoulder about the things that mean the buyer will get a guitar that is worth what they pay.“What sets mine apart, I believe, is the time I take to voice the tops, and the voice I’m going for – as dark as possible while being fully articulate. (Image credit: Future)“It’s hard to stand out for fit, finish, aesthetics and originality, because there are so many truly fine builders doing perfect work. Aficionado Stephen Bennett uses a Kathy Wingert model.

Over time, guitars got bigger – whether because men got interested, or if the fashion for larger instruments made it less appealing to women, I don’t know.”This Grand Concert sized Model E features cocobolo and European spruce tonewoods. And guitar has tended to be more popular with men than with women.“At the dawn of the guitar, after it began to supplant the lute, it was very much a woman’s instrument. I don’t know if that is playing out yet in guitar world, but it will.“I suppose you were expecting me to say girls are less likely to hang out with their dads at the workbench, but most of the great guitar makers I know were more driven by music, guitar and art than by exposure to woodworking. Family roles are changing and there is a better division of childcare.

When I finally did, I found the world had finally changed.” Rosie Heydenrych – Turnstone Guitar CompanyFinding out about Linda Manzer, among other female luthiers, encouraged Rosie Heydenrych, in her mid-20s, to sign up for a guitar-making class at London Metropolitan University.She followed up with a two-year internship with a local maker, and volunteered with repairer Celine Camerlynck in London’s Denmark Street, before starting the Turnstone Guitar Company in 2015.Rosie Heydenrych, pictured in her workshop, found encouragement to pursue a career in guitar building by researching female luthiers who had come before her, such as Manzer and Wingert. Then I chained myself to the workbench and didn’t come up for air. Women could be stars, or they could be an all-girl band, but outside of orchestras it appeared a woman couldn’t just have a job playing guitar. Have you ever noticed that when a woman takes the stage with a guitar, it’s likely to be big and well worn? I think women often feel that if they show up with a ‘girly-looking’ guitar, they have just increased the barrier to credibility.“For years I would go to concerts and search the backup band for a woman ‘sideman’. But there’s a funny thing about girls with guitars.

It’s exciting to use new woods, feel their differences in my hands and anticipate the contribution they will make to a finished instrument.

custom guitar luthiers